"Pour une bergere infidelle" by Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot was released on March 22, 2024. The duration of Pour une bergere infidelle is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Pour une bergere infidelle's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Bertrand de Bacilly: Pour une bergere infidelle and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Pour une bergere infidelle is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pour une bergere infidelle by Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Begl’occhi, oh Dio, non più: Per te, mia vita, moro | Agostino Steffani, Lea Desandre, Cenacolo Musicale | D♭ Minor | 1 | 12A | 100 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 41 Allegro, n. 42 Valtz, n. 43 Andantino | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 22 Larghetto, n. 23 Allegro, n. 24 Andante | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Spagnoletta | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 1 | 6A | 76 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Partita in A Minor, BWV 1013: II. Courante | Johann Sebastian Bach, François Lazarevitch | D♭ Major | 0 | 3B | 139 BPM | ||
Allemande | François Dufaut, Bertrand de Bacilly, Ensemble A Deux Violes Esgales | A Major | 0 | 11B | 109 BPM |
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