Agostino Steffani, Lea Desandre, Cenacolo Musicale's 'Begl’occhi, oh Dio, non più: Per te, mia vita, moro' came out on November 10, 2016. With Begl’occhi, oh Dio, non più: Per te, mia vita, moro being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 29 in Bononcini, Lotti & Steffani: Se con stille frequenti. Duetti da camera by Sara Mingardo, Cenacolo Musicale. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Begl’occhi, oh Dio, non più: Per te, mia vita, moro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Begl’occhi, oh Dio, non più: Per te, mia vita, moro by Agostino Steffani, Lea Desandre, Cenacolo Musicale is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Salve, caput cruentatum" | Dietrich Buxtehude, Mena Guillon Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Dido and Aeneas, Z. 626, Act I: Shake the cloud - Banish Sorrow | Henry Purcell, La Nuova Musica, David Bates, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Quanto sospirerai" (Tiberino) | Agostino Steffani, Philippe Jaroussky, Stephen Stubbs, Boston Early Music Festival Orchestra | G Minor | 1 | 6A | 135 BPM | ||
Stabat Mater: Virgo virginum praeclara | Agostino Steffani, Daniel Behle, Julian Prégardian, Salvo Vitale, I Barocchisti, Diego Fasolis | C Minor | 2 | 5A | 96 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Stabat Mater, P. 77: V. Quis est homo | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Stabat Mater, P. 77: VII. Eia Mater | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Armide, LWV 71, Prologue: Tout doit céder dans l'Univers (La Gloire, La Sagesse) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost | F Major | 1 | 7B | 139 BPM |
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