"Götterdämmerung, WWV 86D / Act 1: Hier sitz' ich zur Wacht" by Richard Wagner, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Götterdämmerung, WWV 86D / Act 1: Hier sitz' ich zur Wacht appears to be safe for all ages as it is not explicit. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Götterdämmerung, WWV 86D / Act 1: Hier sitz' ich zur Wacht is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Götterdämmerung, WWV 86D / Act 1: Hier sitz' ich zur Wacht by Richard Wagner, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
La fille du régiment: Overture | Gaetano Donizetti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 130 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Accende lumen sensibus" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 5 | 12B | 70 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A♭ Major | 0 | 4B | 182 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" | Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 85 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM |
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