"Dvorák / Arr Kreisler: 8 Slavonic Dances, Op. 46: No. 2 in G Minor" by Antonín Dvořák, Yehudi Menuhin was released on January 22, 2016. The duration of Dvorák / Arr Kreisler: 8 Slavonic Dances, Op. 46: No. 2 in G Minor is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Dvorák / Arr Kreisler: 8 Slavonic Dances, Op. 46: No. 2 in G Minor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Yehudi Menuhin's "Menuhin - Virtuoso of the Century" album is number 2 out of 19. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Dvorák / Arr Kreisler: 8 Slavonic Dances, Op. 46: No. 2 in G Minor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dvorák / Arr Kreisler: 8 Slavonic Dances, Op. 46: No. 2 in G Minor by Antonín Dvořák, Yehudi Menuhin to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Viola d'amore Concerto in A Minor, RV 397: I. Vivace | Antonio Vivaldi, Rachel Barton Pine, Ars Antigua | A♭ Minor | 2 | 1A | 139 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM |
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