Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson's 'L'italiana in Algeri / Act 2: Amici...Pensa all patria' came out on July 24, 2020. L'italiana in Algeri / Act 2: Amici...Pensa all patria is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Gioachino Rossini's "Lavorare con Rossini" album is number 28 out of 31. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, L'italiana in Algeri / Act 2: Amici...Pensa all patria's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L'italiana in Algeri / Act 2: Amici...Pensa all patria by Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Die Verleumdung, sie ist ein Lüftchen (La calunna è un venticello) (Basilio) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 3 | 8B | 106 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM |
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