Maurizio Fabrizio's 'Nascita Dei Nuovi Satelliti' came out on January 1, 1978. The duration of Nascita Dei Nuovi Satelliti is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Nascita Dei Nuovi Satelliti's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurizio Fabrizio's "Movimenti Nel Cielo (Remastered)" album is number 9 out of 12. In terms of popularity, Nascita Dei Nuovi Satelliti is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nascita Dei Nuovi Satelliti by Maurizio Fabrizio to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) | Béla Bartók, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) | Iván Sztankov, Christoph Willibald Gluck, Erika Tóth | D Minor | 0 | 7A | 74 BPM | ||
Piano Concerto in One Movement: Andantino | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Minor | 1 | 7A | 129 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM | ||
Le Roi et la Comtesse | Stephen Warbeck | G Minor | 0 | 6A | 77 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM |
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