Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) - Iván Sztankov, Christoph Willibald Gluck, Erika Tóth Information

Acousticness: 100%
Danceability: 9%
Energy: 3%
Instrumentalness: 95%
Liveness: 10%
Loudness: 54%
Speechiness: 4%
Valence: 4%
Popularity: 4%
Loudness: -27.6 dB

Summary

"Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano)" by Iván Sztankov, Christoph Willibald Gluck, Erika Tóth was released on July 15, 2014. The duration of Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) is about 3 minutes long, at 3:10. Based on our data, "Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Iván Sztankov, Janos Kovacs's "Koussevitzky: Double Bass Concerto / Paganini: Moses Fantasy (Arr. for Double Bass and Piano)" album is number 1 out of 16. Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) BPM

We consider the tempo marking of Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) by Iván Sztankov, Christoph Willibald Gluck, Erika Tóth to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. for double bass and piano) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: II. Largo	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	C Minor	0	5A	83 BPM
Piano Concerto No. 1 For Piano, Trumpet & Strings, Op. 35: III. Moderato	Dmitri Shostakovich, Denis Matsuev, Gabor Tarkövi, Kammerorchester Wien - Berlin, Rainer Honeck	A Major	0	11B	126 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto	Ludwig van Beethoven, Alice Sara Ott	D♭ Minor	0	12A	168 BPM
Liebeslied	Fritz Kreisler, Elissa Lee Koljonen, Robert Koenig	A Minor	1	8A	87 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla romanza	Edvard Grieg, Duo Cammarano-Deljavan	E Major	1	12B	139 BPM
Mazurka in C Minor	Mikhail Glinka, Inga Fiolia	C Minor	0	5A	106 BPM
Printemps, Op. 18	Darius Milhaud, Mauro Tortorelli, Angela Meluso	A Major	1	11B	100 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7741045951843262

End: 0.7777655124664307