"6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra)" by Béla Bartók, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. With 6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) by Béla Bartók, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Meeting (Souvenir) | Eric Coates, Timothy Ridout, James Baillieu | F Major | 1 | 7B | 77 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Ibert: Flute Concerto: III. Allegro scherzando | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 92 BPM | ||
FIVE PIECES: I PRELUDE | Dmitri Shostakovich, Veit Hertenstein, Peijun Xu, Ah Ruem Ahn | E Minor | 1 | 9A | 104 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Allegro barbaro, BB 63: Allegro barbaro, Sz. 49 | Béla Bartók, Jenő Jandó | E♭ Major | 1 | 5B | 90 BPM | ||
Concerto in G Minor "L'estate", Op. 8, No. 2, RV 315: III. Presto | Antonio Vivaldi, Daniel Hope, Zürcher Kammerorchester | C Minor | 5 | 5A | 160 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) | Béla Bartók, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM |
Section: 0.6427075862884521
End: 0.6471421718597412