"Carmina Burana: Veris leta facies" by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas was released on 1975. With this song being about 5 minutes long, at 4:31, "Carmina Burana: Veris leta facies" by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #3. Carmina Burana: Veris leta facies is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Veris leta facies by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9 (1961 version): In Paradisum | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F♯ Major | 0 | 2B | 135 BPM | ||
Catulli Carmina: Exodium: Chorus: Eis aiona | Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum | F Minor | 6 | 4A | 99 BPM | ||
Das Rheingold, WWV 86A: Entry of the Gods into Valhalla | Richard Wagner, Cleveland Orchestra, George Szell | D♭ Major | 2 | 3B | 87 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance V | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | D Major | 3 | 10B | 109 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Catulli Carmina: Act I: Odi et amo | Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum | F Minor | 6 | 4A | 99 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Alles Vergängliche (Chorus mysticus) | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | B Minor | 1 | 10A | 137 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM |
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