"La favorite, Act I: “Una Vergine, Un Angiol Di Dio” (Fernand)" by Alfredo Kraus, Symphony Orchestra of Madrid, Kurt Sanderling was released on October 14, 2022. The duration of La favorite, Act I: “Una Vergine, Un Angiol Di Dio” (Fernand) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. La favorite, Act I: “Una Vergine, Un Angiol Di Dio” (Fernand)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 40 in Classical Choice: Romantic Italy by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La favorite, Act I: “Una Vergine, Un Angiol Di Dio” (Fernand) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La favorite, Act I: “Una Vergine, Un Angiol Di Dio” (Fernand) by Alfredo Kraus, Symphony Orchestra of Madrid, Kurt Sanderling is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto ii: Mazurka de las sombrillas | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | B♭ Major | 2 | 6B | 81 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Walter Berry, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | G Major | 1 | 9B | 56 BPM | ||
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 11: Recitativo. "Che sussurro! Che strepito" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina) | Wolfgang Amadeus Mozart, Walter Berry, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | G Minor | 1 | 6A | 80 BPM | ||
Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM |
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