"Götterdämmerung: In Leid zu den Wipfeln" by Max Lorenz, Josef von Manowarda, Paul Schöffler was released on October 12, 2009. The duration of Götterdämmerung: In Leid zu den Wipfeln is about 3 minutes long, at 3:23. Based on our data, "Götterdämmerung: In Leid zu den Wipfeln" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Max Lorenz's "Max Lorenz - Keiner war wie er" album is number 11 out of 14. Götterdämmerung: In Leid zu den Wipfeln is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Götterdämmerung: In Leid zu den Wipfeln by Max Lorenz, Josef von Manowarda, Paul Schöffler to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio espagnol, Op. 34: Variazioni: Andante con moto | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Teil 7 - Folge 10: Lebende Bilder - toter Mann | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Gesche Schultes-Schmoll, Klaus Miedel, Klaus Jepsen, Wolfgang Condrus, Andreas Thieck | A♭ Major | 5 | 4B | 108 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Allegro ma non tanto - Live | Ludwig van Beethoven, Anne Schwanewilms, Barbara Dever, Paul Groves, Franz Hawlata, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | D Major | 3 | 10B | 80 BPM | ||
Shchedrin: Carmen Suite: X. Torero and Carmen (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228a: The Opera: Du schones Wesen! (Bacchus, Ariadne) | Richard Strauss, Max Lorenz, Maria Reining, Vienna State Opera Orchestra, Karl Böhm | B♭ Minor | 2 | 3A | 92 BPM | ||
I Fontani di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Minnesota Orchestra, Antal Doráti | C Major | 2 | 8B | 77 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM |
Section: 0.7649602890014648
End: 0.7703120708465576