"Capriccio espagnol, Op. 34: Variazioni: Andante con moto" by Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark was released on June 16, 1997. Since Capriccio espagnol, Op. 34: Variazioni: Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Rimsky-Korsakov (The Best Of)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Capriccio espagnol, Op. 34: Variazioni: Andante con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio espagnol, Op. 34: Variazioni: Andante con moto by Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Gymnopedies (orch. Debussy): Gymnopedie No. 1 | Erik Satie, Claude Debussy, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Capriccio espagnol, Op. 34: Fandango asturiano | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Jeremy Nicholas, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 4 | 8A | 144 BPM | ||
The Legend of the invisible City of Kitezh and the Maiden Fevronia: Introduction "In Praise of the Wilderness" | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | F♯ Minor | 1 | 11A | 138 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM | ||
Bosnia and Herzegovina: The National Anthem of Bosnia and Herzegovina (Olympic Version) | Slovak Radio Symphony Orchestra, Peter Breiner | C Major | 4 | 8B | 99 BPM |
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