"Shchedrin: Carmen Suite: X. Torero and Carmen (after Bizet's opera)" by Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev was released on March 15, 2024. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Tchaikovsky: Swan Lake Suite & Bizet/Shchedrin: Carmen Suite". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, Shchedrin: Carmen Suite: X. Torero and Carmen (after Bizet's opera)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shchedrin: Carmen Suite: X. Torero and Carmen (after Bizet's opera) by Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Violin Concerto in D Major, RV 211: III. Allegro | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Major | 3 | 3B | 136 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105 (arr. A. Cornall): II. Waltz | Dmitri Shostakovich, Andrew Cornall, Berlin Radio Symphony Orchestra, Steven Sloane | E Minor | 0 | 9A | 96 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM |
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