"Close Your Eyes - Voice" by Osvaldo Golijov, Kronos Quartet, Salvatore Licitra was released on September 25, 2000. The duration of Close Your Eyes - Voice is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Close Your Eyes - Voice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Man Who Cried - Original Motion Picture Soundtrack". In this album, this song's track order is #16. The popularity of Close Your Eyes - Voice is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Close Your Eyes - Voice by Osvaldo Golijov, Kronos Quartet, Salvatore Licitra having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | ||
How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
Cypresses, B. 152: No. 9, Thou Only Dear One, but for Thee. Moderato | Antonín Dvořák, Panocha Quartet | G Minor | 1 | 6A | 90 BPM | ||
Mercy | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 0 | 3A | 91 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Impromptu-Caprice, Op. 9 | Gabriel Pierné, Ellen Bødtker | A♭ Major | 2 | 4B | 94 BPM | ||
Orbit | Matt Haimovitz | C Minor | 1 | 5A | 137 BPM | ||
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM |
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