"How Sweet The Moonlight [The Merchant of Venice]" by Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny was released on January 1, 2006. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Best of Andreas Scholl". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, How Sweet The Moonlight [The Merchant of Venice]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With How Sweet The Moonlight [The Merchant of Venice] by Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | F♯ Major | 1 | 2B | 139 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
Nulla in Mundo Pax Sincera - Arr. Edwards/Hirschfelder | Antonio Vivaldi, Jane Edwards, Choir, Geoffrey Lancaster, Gerald Keuneman, Orchestra, Ricky Edwards | E Minor | 1 | 9A | 136 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Cum Dederit | Armand Amar, Sandrine Piau | A Minor | 1 | 8A | 136 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Violin Concerto “Adrano”: I. circa 48 – Più mosso circa 58 | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 153 BPM |
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