"Il prigioniero, Prologo: Ti rivedrò, mio figlio! (La madre)" by Luigi Dallapiccola, Gianandrea Noseda, Danish National Symphony Orchestra, Anna Maria Chiuri was released on July 1, 2020. Il prigioniero, Prologo: Ti rivedrò, mio figlio! (La madre) is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 1 out of 13 in Dallapiccola: Il Prigioniero by Luigi Dallapiccola, Gianandrea Noseda, Danish National Symphony Orchestra, Anna Maria Chiuri, Michael Nagy, Stephan Rügamer, Adam Riis, Steffen Bruun, The Danish National Concert Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Il prigioniero, Prologo: Ti rivedrò, mio figlio! (La madre) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il prigioniero, Prologo: Ti rivedrò, mio figlio! (La madre) by Luigi Dallapiccola, Gianandrea Noseda, Danish National Symphony Orchestra, Anna Maria Chiuri is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina "in diem Nativitatis Christi MCMXVII" (No. 4), BV 274 | Ferruccio Busoni, Chiyan Wong | F Major | 0 | 7B | 129 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Il prigioniero: I. Prologue and 1st Choral Intermezzo | Luigi Dallapiccola, Gerald Finley, Patricia Racette, Peter Hoare, William Ferguson, Sidney Outlaw, Collegiate Chorale, Alan Gilbert, New York Philharmonic | D♭ Major | 2 | 3B | 133 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Piano Trio in A Minor, M. 67: II. Pantoum. Assez vif | Maurice Ravel, Florestan Trio | C Major | 2 | 8B | 100 BPM | ||
Petrushka, K12 (1947 Version): II. Petrushka's Room | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Kinderszenen, Op. 15: XIII. Der Dichter spricht | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM |
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