"Suite for Three Cellos: II. Molto lento" by Ferdinand Thieriot, Hamburg Chamber Players was released on February 16, 2024. The duration of Suite for Three Cellos: II. Molto lento is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Suite for Three Cellos: II. Molto lento's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 15 in Ferdinand Thieriot: Chamber Music, Vol. 2 by Ferdinand Thieriot, Hamburg Chamber Players. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Suite for Three Cellos: II. Molto lento is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Three Cellos: II. Molto lento by Ferdinand Thieriot, Hamburg Chamber Players is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese. Presto – Meno presto – Molto presto | Johannes Brahms, Giovanni Guzzo, Mate Szucs, Miklós Perényi, Dénes Várjon | D Minor | 2 | 7A | 159 BPM | ||
Cello Sonata, Op. 9: I. Passacaglia. Grave | Miloslav Kabeláč, Jan Vogler, Robert Kolinsky | A♭ Major | 2 | 4B | 78 BPM | ||
Quintet in E-Flat Major, Op. 20: IV. Allegro con fuoco | Ferdinand Thieriot, Stamic Quartet Prague, Stephan Siegenthaler | F Major | 0 | 7B | 136 BPM | ||
Four Scenes of Childhood: IV. Bedtime Story "The Fairy Princess" | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Theme and Variations, Op. 29: Theme | Ferdinand Thieriot, Hamburg Chamber Players | E♭ Major | 1 | 5B | 129 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 14 in C Minor. Moderato | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Hexapoda: No. 5, Till Dawn Sunday | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM |
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