- BPM
- 133
- Key
- B Major
- Camelot
- 1B
Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") - Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro Information
- Acousticness
- 96%
- Danceability
- 33%
- Energy
- 0%
- Instrumentalness
- 77%
- Liveness
- 10%
- Loudness
- 43%
- Speechiness
- 6%
- Valence
- 8%
- Popularity
- 0%
- Loudness
- -34.238 dB
Summary
"Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa")" by Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro was released on March 1, 2024. The duration of Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") is about 3 minutes long, at 3:16. Based on our data, "Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 28 in Al-Bunduqiyya – The Lost Concerto by Giovanni Sollima, Il Pomo D'oro. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa")'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") BPM
The tempo marking of Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") by Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lieder Ohne Worte, Erstes Heft, Op. 19 (Arr. for Violin and Piano by Ferdinand David): II. Molto allegro e vivace | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | A Major | 3 | 11B | 151 BPM | |
 | Ballade, L. 78 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | |
 | Rock-A-Bye Baby | Lullaby Strings | E♭ Major | 0 | 5B | 135 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | |
 | Mio cor, povero cor, RV 690: Bella Ninfa | Antonio Vivaldi, Elisabeth Breuer, Alessio Tosi, Modo Antiquo, Federico Maria Sardelli | B Major | 5 | 1B | 107 BPM | |
 | Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | |
 | Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | |
 | Drigo: Serenade from "Les Millions d'Arlequin" | Su Shien-Ta, Yu Tsui-Ling | D Major | 1 | 10B | 84 BPM | |
 | Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | |
 | Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM |
- ISRC
- GBAYC2302340
- Label
- L-M Records/RCA Records
Section: 0.643561840057373
End: 0.6474127769470215