"Il prigioniero: I. Prologue and 1st Choral Intermezzo" by Luigi Dallapiccola, Gerald Finley, Patricia Racette, Peter Hoare, William Ferguson, Sidney Outlaw, Collegiate Chorale, Alan Gilbert, New York Philharmonic was released on December 16, 2013. Since Il prigioniero: I. Prologue and 1st Choral Intermezzo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Dallapiccola's Il prigioniero by Luigi Dallapiccola, New York Philharmonic. Based on our statistics, Il prigioniero: I. Prologue and 1st Choral Intermezzo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il prigioniero: I. Prologue and 1st Choral Intermezzo by Luigi Dallapiccola, Gerald Finley, Patricia Racette, Peter Hoare, William Ferguson, Sidney Outlaw, Collegiate Chorale, Alan Gilbert, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Say: Cello Sonata, Op. 41 "Four Cities": II. Hopa | Fazıl Say, Lisa Strauss, Anastasia Rizikov | D Major | 3 | 10B | 85 BPM | ||
Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Florestan Trio | F♯ Minor | 0 | 11A | 77 BPM | ||
18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
Aubade, FP 51a: X. Conclusion. Adieux et départ de Diane | Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp | A Minor | 0 | 8A | 136 BPM | ||
Il prigioniero, Prologo: Fiat misericordia tua (Coro) | Luigi Dallapiccola, Gianandrea Noseda, Danish National Symphony Orchestra, The Danish National Concert Choir, Poul Emborg | C Major | 1 | 8B | 89 BPM | ||
Brahms: Symphony No. 1 in C Minor, Op. 68: I. (a) Un poco sostenuto | Johannes Brahms, Wolfgang Sawallisch, London Philharmonic Orchestra | D Major | 1 | 10B | 94 BPM | ||
Ulisse: Prologo (Calypso) | Luigi Dallapiccola, Colette Herzog, Ernest Bour, Orchestre Philharmonique de Radio France, Chœur de Radio France | B♭ Minor | 1 | 3A | 100 BPM | ||
Sonatina canonica su "capricci" di Niccolò Paganini: II. Largo - Vivacissimo - Largo | Luigi Dallapiccola, Andrea Molteni | F Minor | 2 | 4A | 86 BPM | ||
Piano Concerto No. 1 "Scapegoat": Scherzando | George Lloyd, Martin Roscoe, BBC Philharmonic | F♯ Major | 2 | 2B | 95 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM |
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