Riccardo Drigo, Itzhak Perlman, Samuel Sanders's 'Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz)' came out on October 3, 2005. The duration of Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #16 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz) by Riccardo Drigo, Itzhak Perlman, Samuel Sanders has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Drigo: 4 Airs de ballet: II. Valse bluette. Molto moderato (Arr. for Violin and Piano by Jascha Heifetz) being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act II: Variation 1: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 97 BPM | ||
Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 149 BPM | ||
Burgmuller: Ballade | Franz Burgmüller, SoonHwon Kwon | C Major | 1 | 8B | 120 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": II. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 0 | 6B | 67 BPM | ||
The Wand of Youth (Music to a Child's Play), Suite No.1, Op.1a: II. Serenade (Andantino) | Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 65 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Etudes: XI. Small leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 159 BPM | ||
Port de bras, révérence, Symphony No.1 in G-Minor, Teil 1 | Vasily Kalinnikov, Konstantin Mortensen | B♭ Major | 1 | 6B | 167 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM |
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