György Ligeti, Pierre Rougerie, Michaël Rolland, Christian Laborie, Hélène Mourot, Marion Ralincourt made "Dix pièces pour quintette à vent: VIII. Allegro con delicatezza - Live" available on September 23, 2016. The duration of Dix pièces pour quintette à vent: VIII. Allegro con delicatezza - Live is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Dix pièces pour quintette à vent: VIII. Allegro con delicatezza - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in György Ligeti, François-Xavier Roth, Les Siècles's "Ligeti: Six Bagatelles, Kammerkonzert & Dix pièces pour quintette à vent (Live)" album is number 18 out of 20. On top of that, France appears to be the country where this track was created. Dix pièces pour quintette à vent: VIII. Allegro con delicatezza - Live is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dix pièces pour quintette à vent: VIII. Allegro con delicatezza - Live by György Ligeti, Pierre Rougerie, Michaël Rolland, Christian Laborie, Hélène Mourot, Marion Ralincourt to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | C Major | 2 | 8B | 85 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Études, Book 2: No. 11, En suspens | György Ligeti, Kei Takumi | A♭ Major | 0 | 4B | 133 BPM | ||
Concerto for Saxophone - Quartet: Movevement III | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
I. Sostenuto. Misurato. Prestissimo | György Ligeti, Claudia Janet Birkholz | D Major | 0 | 10B | 114 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
6 Bagatelles: No. 1, Allegro con spirito | György Ligeti, Berlin Philharmonic Wind Quintet | C Major | 1 | 8B | 92 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM |
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