"The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace" by Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner was released on May 17, 2024. Since The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Hindemith: The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace by Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
5 Preludes, Op.74: No.5 | Alexander Scriabin, Gianluca Cascioli | E Major | 1 | 12B | 172 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Andante tranquillo | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
With Time | 壷阪健登 | A♭ Major | 2 | 4B | 109 BPM | ||
Suite No. 1 for 2 Pianos, Op. 5 "Fantaisie-tableaux": IV. Easter | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
3 Studies for Piano, Op. 18, Sz. 72: No. 1, Allegro molto | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): I. Introduction | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM |
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