"Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo)" by Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI was released on 1954. The duration of Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #22 out of 44 tracks. The popularity of Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) by Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) being at 166 BPM, the half-time would be 83 BPM with a double-time of 332 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Qual suono! Oh ciel!" - "Ah! se l'error t'ingombra" - Live | Giuseppe Verdi, Nicola Zaccaria, Ettore Bastianini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Kammerchor der Salzburger Festspiele | B♭ Major | 3 | 6B | 99 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Rigoletto: Questa O Quella | Francesco Maria Piave, Peter Dvorsky, Slovak Radio Symphony Orchestra, Giuseppe Verdi | A♭ Major | 4 | 4B | 74 BPM | ||
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Puccini: Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly) | Giacomo Puccini, Maria Callas, Lucia Danieli, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: Preludio - "Percorrete le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | B♭ Major | 2 | 6B | 113 BPM | ||
Norma: Norma, Act I: Casta diva | Vincenzo Bellini, Maria Callas, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Arturo Basile | F Major | 1 | 7B | 83 BPM | ||
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
La Boheme, zweiter Akt: Quando Men vo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
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