Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine
Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Sir Georg Solti
Solti At The Ballet
2:21 1957
BPM
129
Key
D♭ Major
Camelot
3B

Embed

Share Link

Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine - Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Sir Georg Solti Information

Acousticness
76%
Danceability
39%
Energy
39%
Instrumentalness
70%
Liveness
11%
Loudness
70%
Speechiness
10%
Valence
19%
Popularity
Loudness
-17.976 dB

Summary

"Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine" by Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Sir Georg Solti was released on 1957. The duration of Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Solti At The Ballet". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine BPM

With Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine by Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Etude in F Minor by Felix Mendelssohn, Benjamin FrithEtude in F MinorFelix Mendelssohn, Benjamin FrithB♭ Major06B75 BPM
Jazz Suite No. 2: 4. Waltz I by Dmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyJazz Suite No. 2: 4. Waltz IDmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyB♭ Major26B178 BPM
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. LargoAntonio Vivaldi, Itzhak Perlman, Israel Philharmonic OrchestraB♭ Major16B64 BPM
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal DorátiThe Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. ValsePyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal DorátiB♭ Major26B102 BPM
Die Fledermaus: Overture by Johann Strauss II, Bavarian State Orchestra, Carlos KleiberDie Fledermaus: OvertureJohann Strauss II, Bavarian State Orchestra, Carlos KleiberD Major210B109 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzG Minor16A83 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major by Johannes Brahms, Tal & Groethuysen16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat MajorJohannes Brahms, Tal & GroethuysenA Major011B126 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) by Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovPreghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovC Major18B104 BPM
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisPiano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzandoSergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisC Minor15A135 BPM
ISRC
GBF078810457
Label
L-M Records/RCA Records

Section: 0.792088508605957

End: 0.7955794334411621