- BPM
- 77
- Key
- F Minor
- Camelot
- 4A
Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit" - Jean-Baptiste Lully, Collegium Vocale Gent, Guillemette Laurens, Philippe Herreweghe, La Chapelle Royale Information
- Acousticness
- 95%
- Danceability
- 21%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 9%
- Popularity
- 2%
- Loudness
- -20.462 dB
Summary
"Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit"" by Jean-Baptiste Lully, Collegium Vocale Gent, Guillemette Laurens, Philippe Herreweghe, La Chapelle Royale was released on 1993. The duration of Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 17 out of 39. Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit" BPM
We consider the tempo marking of Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit" by Jean-Baptiste Lully, Collegium Vocale Gent, Guillemette Laurens, Philippe Herreweghe, La Chapelle Royale to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Armide: Act V, Scene 5: Armide : "Le perfide Renaud me fuit" Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | |
 | Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | |
 | Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | |
 | Le bourgeois gentilhomme, LWV 43, Act V Final scene: Le Ballet des Nations. Ah ! qu'il fait beau dans ces bocages (Deux musiciens Poitevins) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Cyril Auvity | B♭ Major | 5 | 6B | 92 BPM | |
 | Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM | |
 | Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | |
 | Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) | Jean-Baptiste Lully, Bénédicte Tauran, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset | A♭ Major | 1 | 4B | 174 BPM | |
 | Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | |
 | St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | |
 | Quare fremuerunt: Dirumpamus vincula eorum | Jean-Baptiste Lully, Les Pages, Les Chantres, Musica Florea, Olivier Schneebeli | B Major | 1 | 1B | 114 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8085625171661377
End: 0.824981689453125