Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant)
Jean-Baptiste Lully, Bénédicte Tauran, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset
Lully: Thésée
2:25 October 13, 2023
BPM
174
Key
A♭ Major
Camelot
4B

Embed

Share Link

Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) - Jean-Baptiste Lully, Bénédicte Tauran, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset Information

Acousticness
87%
Danceability
26%
Energy
12%
Instrumentalness
0%
Liveness
16%
Loudness
60%
Speechiness
6%
Valence
36%
Popularity
Loudness
-24.07 dB

Summary

Jean-Baptiste Lully, Bénédicte Tauran, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset's 'Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant)' came out on October 13, 2023. The duration of Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset's "Lully: Thésée" album is number 23 out of 84. On top of that, France appears to be the country where this track was created. The popularity of Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) BPM

We consider the tempo marking of Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) by Jean-Baptiste Lully, Bénédicte Tauran, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Thésée, LWV 51, Acte premier Scène 6: "Mourez, mourez, perfides cœurs" (chœur des combattants, la Grande Prêtresse, Cléone, Églé, un combattant) Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le roi s'amuse: Pavane by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PavaneLéo Delibes, Slovak Philharmonic, Ondrej LenardB♭ Major06B91 BPM
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro by Johann Christian Bach, Concerto KölnSymphony in G Minor, Op. 6, No. 6, W. C12: I. AllegroJohann Christian Bach, Concerto KölnF♯ Minor111A87 BPM
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro by Pietro Locatelli, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in F Major, Op. 1, No. 1: III. AllegroPietro Locatelli, Capella Istropolitana, Jaroslav KrcekF Major27B123 BPM
Acis and Galatea, HWV 49b: Sinfonia by George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque EnsembleAcis and Galatea, HWV 49b: SinfoniaGeorge Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque EnsembleG Major59B140 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardSuite in G minor: IV. Bourree II (Arr. A. Camden)George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardC Minor15A114 BPM
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio by Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der GoltzConcerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. AdagioJohann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der GoltzB♭ Minor13A69 BPM
Violin Concerto in E Major, D. 50: I. Allegro by Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-BruhlViolin Concerto in E Major, D. 50: I. AllegroGiuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-BruhlE Major112B78 BPM
Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670) by Jean-Baptiste Lully, Jordi Savall, Le Concert Des NationsLe Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670)Jean-Baptiste Lully, Jordi Savall, Le Concert Des NationsF Major27B64 BPM
Symphony in F Major, J-C 36: III. Allegro assai by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in F Major, J-C 36: III. Allegro assaiGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonE Major312B126 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): IV. SéguedilleGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B176 BPM
ISRC
FROV62232523
Label
L-M Records/RCA Records

Section: 0.7136275768280029

End: 0.7178401947021484