""West Side Story" - Symphonic Dances: IV. Mambo - Live" by Leonard Bernstein, Los Angeles Philharmonic was released on January 1, 1983. The duration of "West Side Story" - Symphonic Dances: IV. Mambo - Live is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. "West Side Story" - Symphonic Dances: IV. Mambo - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonard Bernstein, Los Angeles Philharmonic, George Gershwin's "Gershwin: Rhapsody in Blue; Prelude for Piano No. 2 / Bernstein: Symphonic Dances From "West Side Story"" album is number 6 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, "West Side Story" - Symphonic Dances: IV. Mambo - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "West Side Story" - Symphonic Dances: IV. Mambo - Live by Leonard Bernstein, Los Angeles Philharmonic to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 "Kaddish": 2. "Kaddish 2": Andante con tenerezza | Leonard Bernstein, Montserrat Caballé, Michael Wager, Vienna Boys' Choir, Israel Philharmonic Orchestra | C Minor | 0 | 5A | 70 BPM | ||
Sinfonietta, JW 6/18 "Military": III. Moderato | Leoš Janáček, André Previn, Los Angeles Philharmonic | A♭ Minor | 0 | 1A | 82 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra] | Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | G Major | 3 | 9B | 96 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 22. Marziale. Un poco più vivo. Alla breve | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 171 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM |
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