"Sinfonietta, JW 6/18 "Military": III. Moderato" by Leoš Janáček, André Previn, Los Angeles Philharmonic was released on January 1, 1988. Sinfonietta, JW 6/18 "Military": III. Moderato is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 8 out of 10 in Bartok: Concerto for Orchestra, Sz. 116 & Janáček: Sinfonietta, JW 6/18 "Military" by André Previn, Los Angeles Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sinfonietta, JW 6/18 "Military": III. Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonietta, JW 6/18 "Military": III. Moderato by Leoš Janáček, André Previn, Los Angeles Philharmonic is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glagolitic Mass: III. Gloria | Leoš Janáček, Andrea Dankova, Tomáš Juhás, Prague Philharmonic Choir, Prague Radio Symphony Orchestra, Lukás Vasilek, Tomáš Netopil, Ales Barta | A♭ Major | 0 | 4B | 65 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Mami! | Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras | A Minor | 0 | 8A | 102 BPM |
Section: 0.8005127906799316
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