Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 5: "Venez, parlez" (Créusa, Médée, Nérine, Cléone, Chorus)' came out on March 28, 1995. With Charpentier : Médée, Act 5: "Venez, parlez" (Créusa, Médée, Nérine, Cléone, Chorus) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 60 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Charpentier : Médée, Act 5: "Venez, parlez" (Créusa, Médée, Nérine, Cléone, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charpentier : Médée, Act 5: "Venez, parlez" (Créusa, Médée, Nérine, Cléone, Chorus) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Symphonies pour un reposoir, H. 515: IV. Tantum ergo pour les violons - Amen pour les violons | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 110 BPM | ||
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto for Lute and 2 Violins in D Major, RV 93: III. Allegro | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Major | 2 | 3B | 145 BPM | ||
Te Deum Motet à deux choeurs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 147 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Concert de Trompettes: 2e Air des Echos | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 2 | 8B | 105 BPM |
Section: 0.5973148345947266
End: 0.6009817123413086