László Czidra, Tylman Susato, Camerata Hungarica's 'Danserye: Ronde: No. 15. Ronde et Saltarelle' came out on July 15, 2014. The duration of Danserye: Ronde: No. 15. Ronde et Saltarelle is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Danserye: Ronde: No. 15. Ronde et Saltarelle's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Susato: Danserye". In this album, this song's track order is #18. Danserye: Ronde: No. 15. Ronde et Saltarelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Danserye: Ronde: No. 15. Ronde et Saltarelle by László Czidra, Tylman Susato, Camerata Hungarica having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Tabulatura Ioannis de Lyublin canonic: regularium de Crasnyc 1540: Dances | Jan z Lublina, László Czidra, Camerata Hungarica | F Major | 0 | 7B | 79 BPM | ||
Concerto in D Major, Op. 6 No. 1: IV. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 72 BPM | ||
Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Major | 1 | 5B | 86 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Mille regretz | Josquin des Prez, Dudok Quartet Amsterdam | A Minor | 0 | 8A | 93 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Concert de Trompettes: 2e Air des Echos | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 2 | 8B | 105 BPM |
Section: 0.7087736129760742
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