Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra's 'Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato' came out on January 1, 1973. Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato appears to be safe for all ages as it is not explicit. The track order of this song in Itzhak Perlman, André Previn, London Symphony Orchestra's "Mendelssohn & Bruch: Violin Concertos" album is number 1 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato by Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM | ||
Tchaikovsky: Violin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Eugene Ormandy, Philadelphia Orchestra | D Major | 1 | 10B | 162 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Havanaise, Op. 83: Allegro | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Elite Syncopations - 1986 Remastered Version | Scott Joplin, André Previn | G Major | 4 | 9B | 191 BPM |
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