The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan)
Sergei Prokofiev, Martha Argerich, Sergei Babayan
Prokofiev For Two
2:21 March 23, 2018
BPM
121
Key
E Major
Camelot
12B

Embed

Share Link

The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan) - Sergei Prokofiev, Martha Argerich, Sergei Babayan Information

Acousticness
99%
Danceability
54%
Energy
5%
Instrumentalness
90%
Liveness
18%
Loudness
52%
Speechiness
4%
Valence
53%
Popularity
Loudness
-28.899 dB

Summary

Sergei Prokofiev, Martha Argerich, Sergei Babayan made "The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan)" available on March 23, 2018. The duration of The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Prokofiev For Two". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan) BPM

With The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan) by Sergei Prokofiev, Martha Argerich, Sergei Babayan having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

The Queen of Spades, Op. 70: Polonaise (Transcription For 2 Pianos By Sergei Babayan) Key

This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): III. IntermezzoGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major34B161 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
Le Carnaval des Animaux: Finale by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmLe Carnaval des Animaux: FinaleCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmD Minor37A101 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji OzawaA Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 ScherzoFelix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji OzawaG Minor26A123 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: V. Seguedille, Act 1London Festival Orchestra Alfred ScholzD Major010B92 BPM
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) by Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerConcerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro)Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerE♭ Major25B87 BPM
Jazz Suite No. 1: I. Waltz by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 1: I. WaltzDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyE♭ Major15B173 BPM
Raymonda, Op. 57: Act III - Variation IV by Alexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovRaymonda, Op. 57: Act III - Variation IVAlexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovD Minor07A90 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivaceFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE Major212B161 BPM
ISRC
DEN961701480
Label
L-M Records/RCA Records

Section: 0.8664813041687012

End: 0.8711235523223877