William Byrd, The Choir of Magdalen College, Oxford, Mark Williams's 'This Sweet and Merry Month of May, T 317' came out on April 22, 2022. The duration of This Sweet and Merry Month of May, T 317 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. This Sweet and Merry Month of May, T 317's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. This Sweet and Merry Month of May, T 317 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With This Sweet and Merry Month of May, T 317 by William Byrd, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byrd: Sing Joyfully Unto God | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 111 BPM | ||
Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47 | Felix Mendelssohn, Westminster Kantorei, Amanda Quist | D Major | 2 | 10B | 87 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM | ||
When David Heard | Robert Ramsey, Gallicantus, Elizabeth Kenny, Gabriel Crouch | A♭ Minor | 1 | 1A | 80 BPM | ||
4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) | Franz Schubert, Josephine Knight, The Gesualdo Six | A Major | 0 | 11B | 76 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Sfogava con le stelle | Claudio Monteverdi, La Venexiana | A Minor | 1 | 8A | 131 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | B♭ Major | 2 | 6B | 89 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM |
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