"Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47" by Felix Mendelssohn, Westminster Kantorei, Amanda Quist was released on September 15, 2017. The duration of Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47 is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Westminster Kantorei, Amanda Quist's "Lumina" album is number 5 out of 12. Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die deutsche Liturgie: Heilig, heilig ist Gott, der Herr Zebaoth, WoO 27, MWV B47 by Felix Mendelssohn, Westminster Kantorei, Amanda Quist to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Missa Praeter rerum seriem: V. Benedictus | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
Missa Brevis. Benedictus | Jeronimas Kačinskas, Jauna Muzika Choir, Vaclovas Augustinas | D Minor | 2 | 7A | 75 BPM | ||
Cantique de Jean Racine | Escolania de Montserrat, Eduard Vila i Perarnau, Gabriel Fauré, Joaquim Piqué i Calvo | C Major | 2 | 8B | 121 BPM | ||
Elias, Op. 70: Teil I: Nun aber der Bach vertrocknet ist | Felix Mendelssohn, Thomas Hengelbrock | F Minor | 1 | 4A | 74 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM |
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