"Das Rheingold / Vierte Szene: "Rheingold! Rheingold! Reines Gold!"" by Richard Wagner, Hetty Plümacher, George London, Set Svanholm, Oda Balsborg, Ira Malaniuk was released on January 1, 2012. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #15. Das Rheingold / Vierte Szene: "Rheingold! Rheingold! Reines Gold!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Rheingold / Vierte Szene: "Rheingold! Rheingold! Reines Gold!" by Richard Wagner, Hetty Plümacher, George London, Set Svanholm, Oda Balsborg, Ira Malaniuk having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 181 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 129 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Turandot / Act 1: "Signore, ascolta!" | Giacomo Puccini, Barbara Hendricks, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 106 BPM | ||
Eugene Onegin, Op. 24, Act II: Act I: Mich stimmen solche Lieder (Tatjana, Olga) | Pyotr Ilyich Tchaikovsky, Lilian Benningsen, Valérie Bak, Hertha Töpper, Ruth Siewert, George London, Anton Dermota, Gottlob Frick, Max Proebstl, Franz Klarwein, Heinz Maria Lins, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Richard Kraus | G Minor | 1 | 6A | 76 BPM | ||
Arabella / Act 2: Und du wirst mein Gebieter sein | Richard Strauss, Lisa della Casa, George London, Wiener Philharmoniker, Sir Georg Solti | B Major | 4 | 1B | 129 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 86 BPM |
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