Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox's 'Symphony No. 5 in D Major: II. Scherzo: Presto misterioso' came out on January 1, 1999. With this song being about 5 minutes long, at 5:03, "Symphony No. 5 in D Major: II. Scherzo: Presto misterioso" by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaughan Williams: Valiant for Truth / Symphony No. 5 / The Pilgrim Pavement / Prelude and Fugue by Ralph Vaughan Williams, Richard Hickox. The song's track number on the album is #3 out of 10 tracks. In terms of popularity, Symphony No. 5 in D Major: II. Scherzo: Presto misterioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 5 in D Major: II. Scherzo: Presto misterioso by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 5 in D Major: II. Scherzo: Presto misterioso being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 133 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Jackie's Song | Julian Lloyd Webber, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 85 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente | Herbert Howells, Richard Hickox, City of London Sinfonia, Andrew Watkinson, Edward Roberts, Matthew Souter, Shuna Wilson | C Minor | 0 | 5A | 90 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM |
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