"Années de pèlerinage III, S. 163: I. Angelus (Prière aux anges gardiens)" by Franz Liszt, Lazar Berman was released on January 1, 1977. Années de pèlerinage III, S. 163: I. Angelus (Prière aux anges gardiens) appears to be safe for all ages as it is not explicit. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 1 out of 26. On top of that, Germany appears to be the country where this track was created. The popularity of Années de pèlerinage III, S. 163: I. Angelus (Prière aux anges gardiens) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Années de pèlerinage III, S. 163: I. Angelus (Prière aux anges gardiens) by Franz Liszt, Lazar Berman to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. V | Clara Schumann, Benjamin Grosvenor | F♯ Minor | 3 | 11A | 88 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
13 Préludes, Op. 32: No. 4. Allegro con brio in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Major | 1 | 6B | 88 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Schubert - Mullerlieder, S565/E249: No. 5, Wohin? (2nd Version) | Franz Liszt, Valerie Tryon | G Major | 0 | 9B | 70 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Papillons, Op. 2: XII. Finale | Robert Schumann, Boris Giltburg | D Major | 0 | 10B | 129 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM |
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