Alfred Scholz, Slovak Philharmonic's 'Symphony No.94 in G major, Hob.I:94 "Surprise": I. Adagio cantabile - Vivace assai' came out on November 27, 2011. Since Symphony No.94 in G major, Hob.I:94 "Surprise": I. Adagio cantabile - Vivace assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 1-2-3 - Greatest Symphonies, so we believe that "Symphony No.94 in G major, Hob.I:94 "Surprise": I. Adagio cantabile - Vivace assai" is a single. Based on our statistics, Symphony No.94 in G major, Hob.I:94 "Surprise": I. Adagio cantabile - Vivace assai's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No.94 in G major, Hob.I:94 "Surprise": I. Adagio cantabile - Vivace assai by Alfred Scholz, Slovak Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
L'Arlésienne-Suite No.2: No.1: Pastorale | Munich Philharmonic Orchestra, Alfred Scholz | A Major | 1 | 11B | 105 BPM | ||
Czardas | Vittorio Monti, Nicola Benedetti, Tamas Andras, Thomas Carroll, Ksenija Sidorova, Petr Limonov | D Major | 2 | 10B | 92 BPM | ||
L'Arlésienne-Suite 2: 3. Minuetto | Munich Philharmonic Orchestra, Alfred Scholz | G Minor | 0 | 6A | 88 BPM | ||
Symphony No. 100 In G Major 'Military': II. Allegretto | Joseph Haydn, Alfred Scholz, South German Philharmony | C Major | 1 | 8B | 69 BPM | ||
Flight of The Bumble Bee | Nikolai Rimsky-Korsakov, Hanspeter Gmür, Camerata Rhenania, Various Artists | A Minor | 1 | 8A | 76 BPM | ||
Symphony No. 101 in D, 'The Clock': II. Andante | Joseph Haydn, Bamberger Symphony, Alfred Scholz | A Major | 1 | 11B | 96 BPM |
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