"L'Arlésienne-Suite No.2: No.1: Pastorale" by Munich Philharmonic Orchestra, Alfred Scholz was released on November 27, 2011. L'Arlésienne-Suite No.2: No.1: Pastorale is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There is only one song in 33 - Immortal Classics, so we believe that "L'Arlésienne-Suite No.2: No.1: Pastorale" is a single. In terms of popularity, L'Arlésienne-Suite No.2: No.1: Pastorale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne-Suite No.2: No.1: Pastorale by Munich Philharmonic Orchestra, Alfred Scholz is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Sergiu Celibidache, Munich Philharmonic Orchestra | F♯ Minor | 10 | 11A | 109 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Insomnia | Milk & Sugar, Munich Philharmonic Orchestra, Euphonica | G Major | 7 | 9B | 127 BPM | ||
Symphonie No. 3 in E flat Major, Op. 97 - "Rheinische": IV - Feierlich | Munich Philharmonic Orchestra, Sergiu Celibidache | D Major | 1 | 10B | 117 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Schumann: Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace | Robert Schumann, Munich Philharmonic Orchestra, Sergiu Celibidache | E♭ Major | 2 | 5B | 103 BPM | ||
Hands Across the Sea | Blasmusik by the Munich Philharmonic Orchestra, Munich Philharmonic Orchestra, Lorin Maazel | B♭ Major | 4 | 6B | 120 BPM | ||
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo & Trio - Live | Anton Bruckner, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 2 | 3A | 125 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation V - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM |
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