Vittorio Monti, Nicola Benedetti, Tamas Andras, Thomas Carroll, Ksenija Sidorova, Petr Limonov's 'Czardas' came out on January 1, 2013. With this song being about 5 minutes long, at 4:33, "Czardas" by Vittorio Monti, Nicola Benedetti, Tamas Andras, Thomas Carroll, Ksenija Sidorova, Petr Limonov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Violin". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Czardas is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Czardas by Vittorio Monti, Nicola Benedetti, Tamas Andras, Thomas Carroll, Ksenija Sidorova, Petr Limonov having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
From Ayrshire: Like a Very Fast Reel | James MacMillan, Nicola Benedetti, Academy of St. Martin in the Fields | A Major | 4 | 11B | 137 BPM | ||
Fantasia on the Russian Folksong Korobeiniki | Matvey Nikolaevsky, Mikhail Mordvinov | A Minor | 2 | 8A | 63 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Czardas | Vittorio Monti, Smerald Spahiu, Miquel Estelrich | D Major | 2 | 10B | 78 BPM | ||
Salieri : Piano Concerto in C major : II Larghetto | Antonio Salieri, Andreas Staier & Concerto Köln, Concerto Köln | C Major | 0 | 8B | 126 BPM | ||
Liebesfreud | Fritz Kreisler, Julia Krasko, Olga Kondratieva | F Major | 1 | 7B | 104 BPM | ||
Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM |
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