Eric Chadwick's 'Organ Concerto No. 1 in B Flat Op. 7: II. Andante' came out on October 3, 2012. With this song being about 5 minutes long, at 4:47, "Organ Concerto No. 1 in B Flat Op. 7: II. Andante" by Eric Chadwick is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 55 out of 99 in Classical the Best of... Concerto, Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Tchaikovsky by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Organ Concerto No. 1 in B Flat Op. 7: II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Organ Concerto No. 1 in B Flat Op. 7: II. Andante by Eric Chadwick is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus) | Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Halle Choir, Ambrosian Singers, Sheffield Philharmonic Chorus, Hallé | C Minor | 1 | 5A | 85 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | ||
Verdi: Aida: Prelude | Giuseppe Verdi, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 107 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Wagner: Tannhäuser, Act II: "Dich, teure Halle, grüss ich wieder" (Elisabeth) [Dresden Version] | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
Requiem, Op. 48: II. Offertory | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 0 | 10B | 75 BPM |
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