"Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus)" by Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Halle Choir, Ambrosian Singers, Sheffield Philharmonic Chorus, Hallé was released on 1965. The duration of Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 22 in Elgar The Dream of Gerontius by Edward Elgar, Sir John Barbirolli. Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus) by Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Halle Choir, Ambrosian Singers, Sheffield Philharmonic Chorus, Hallé is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Thaïs / Act 2: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 77 BPM |
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