4 Letzte Lieder, TrV 296: No. 4, Im Abendrot
Richard Strauss, Kiri Te Kanawa, Andrew Davis
R. Strauss: Four Last Songs; Orchestral Songs
7:47 1979
BPM
85
Key
B♭ Major
Camelot
6B

Embed

Share Link

4 Letzte Lieder, TrV 296: No. 4, Im Abendrot - Richard Strauss, Kiri Te Kanawa, Andrew Davis Information

Acousticness
98%
Danceability
13%
Energy
14%
Instrumentalness
76%
Liveness
28%
Loudness
68%
Speechiness
4%
Valence
4%
Popularity
Loudness
-19.434 dB

Summary

"4 Letzte Lieder, TrV 296: No. 4, Im Abendrot" by Richard Strauss, Kiri Te Kanawa, Andrew Davis was released on 1979. Since 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "R. Strauss: Four Last Songs; Orchestral Songs". In this album, this song's track order is #4. 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

4 Letzte Lieder, TrV 296: No. 4, Im Abendrot BPM

With 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot by Richard Strauss, Kiri Te Kanawa, Andrew Davis having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

4 Letzte Lieder, TrV 296: No. 4, Im Abendrot Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)Edward Elgar, Los Angeles Philharmonic, Zubin MehtaE♭ Major15B142 BPM
Death of Usurer: Adagio by Valery Gergiev, London Symphony OrchestraDeath of Usurer: AdagioValery Gergiev, London Symphony OrchestraC Minor05A108 BPM
Elektra: Xii. Was sagen sie ihr denn? by Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried KöhlerElektra: Xii. Was sagen sie ihr denn?Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried KöhlerB Major31B136 BPM
Die schweigsame Frau, Op. 80, TrV 265: Anhiero gestatte ich mir, hochverehrliche Herren by Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Ingeborg Hallstein, Lilian Benningsen, Josef Knapp, Hans Hotter, Karl Christian KohnDie schweigsame Frau, Op. 80, TrV 265: Anhiero gestatte ich mir, hochverehrliche HerrenRichard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Ingeborg Hallstein, Lilian Benningsen, Josef Knapp, Hans Hotter, Karl Christian KohnF♯ Major22B89 BPM
Symphony No. 2 In C Minor - Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestosoGustav Mahler, Wiener Philharmoniker, Gilbert KaplanC Minor15A80 BPM
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) by Claude Debussy, Orchestre Symphonique de Montréal, Charles DutoitLa Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)Claude Debussy, Orchestre Symphonique de Montréal, Charles DutoitF♯ Major12B61 BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo by Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimViolin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppoCamille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimA Minor28A113 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: II. Adagio di moltoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinB♭ Major16B173 BPM
Lohengrin, WWV 75 / Act III: Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin"Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio AbbadoC Major18B75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7939269542694092

End: 0.7974920272827148