"Борис Годунов, действие I картина 1: Монолог Пимена "Ещё одно, последнее сказанье"" by Modest Mussorgsky, Максим Михайлов, Nikolai Golovanov, Оркестр Большого театра was released on September 23, 2016. With this song being about 5 minutes long, at 5:00, "Борис Годунов, действие I картина 1: Монолог Пимена "Ещё одно, последнее сказанье"" by Modest Mussorgsky, Максим Михайлов, Nikolai Golovanov, Оркестр Большого театра is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Большой театр. Лучшее из архивов "Мелодии", so we believe that "Борис Годунов, действие I картина 1: Монолог Пимена "Ещё одно, последнее сказанье"" is a single. Based on our statistics, Борис Годунов, действие I картина 1: Монолог Пимена "Ещё одно, последнее сказанье"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Борис Годунов, действие I картина 1: Монолог Пимена "Ещё одно, последнее сказанье" by Modest Mussorgsky, Максим Михайлов, Nikolai Golovanov, Оркестр Большого театра is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM |
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