- BPM
- 173
- Key
- F Minor
- Camelot
- 4A
Egmont, Op. 84: Overture - Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd Information
- Acousticness
- 89%
- Danceability
- 24%
- Energy
- 8%
- Instrumentalness
- 61%
- Liveness
- 12%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 10%
- Popularity
- 44%
- Loudness
- -17.925 dB
Summary
"Egmont, Op. 84: Overture" by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd was released on January 26, 2010. Since Egmont, Op. 84: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 13 in Beethoven, L. van: Egmont / Ah, perfido by Ludwig van Beethoven, James Judd. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Egmont, Op. 84: Overture is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Egmont, Op. 84: Overture BPM
The tempo marking of Egmont, Op. 84: Overture by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Egmont, Op. 84: Overture Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | String Quartet No. 12 in F Major, Op. 96 'The American': IV. Vivace | Antonín Dvořák, Škampa Quartet | C Major | 1 | 8B | 78 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | |
 | Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | |
 | Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | |
 | 3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM |
- ISRC
- HKI190942501
- Label
- L-M Records/RCA Records
Section: 0.7634894847869873
End: 0.7682173252105713