"Requiem pour soli, choeur & orchestre (1893 version): III Sanctus" by Winchester Cathedral Choir, Richard Studt, Simon Keenlyside, David Hill, Stephen Farr, Bournemouth Sinfonietta, Nancy Argenta was released on 1998. The duration of Requiem pour soli, choeur & orchestre (1893 version): III Sanctus is about 3 minutes long, at 3:20. Based on our data, "Requiem pour soli, choeur & orchestre (1893 version): III Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 13 in Fauré: Requiem etc. by David Hill, Winchester Cathedral Choir. The popularity of Requiem pour soli, choeur & orchestre (1893 version): III Sanctus is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem pour soli, choeur & orchestre (1893 version): III Sanctus by Winchester Cathedral Choir, Richard Studt, Simon Keenlyside, David Hill, Stephen Farr, Bournemouth Sinfonietta, Nancy Argenta is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM | ||
Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 60 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Anthem For the Foundling Hospital, HWV 268: 2. Blessed Are They...They Deliver The Poor | George Frideric Handel, Winchester Cathedral Choir, Brandenburg Consort, David Hill | D♭ Major | 1 | 3B | 86 BPM | ||
Gianni Schicchi, Aria: O mio babbino caro | Giacomo Puccini, Montserrat Caballé, Josè Collado | A♭ Major | 2 | 4B | 89 BPM | ||
Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) | Giuseppe Verdi, Temistocle Solera, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | D♭ Major | 1 | 3B | 143 BPM | ||
Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM |
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