"Gianni Schicchi, Aria: O mio babbino caro" by Giacomo Puccini, Montserrat Caballé, Josè Collado was released on 1991. The duration of Gianni Schicchi, Aria: O mio babbino caro is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Gianni Schicchi, Aria: O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Montserrat Caballé's "Montserrat Caballé, Diva Eterna" album is number 10 out of 24. Gianni Schicchi, Aria: O mio babbino caro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gianni Schicchi, Aria: O mio babbino caro by Giacomo Puccini, Montserrat Caballé, Josè Collado to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | ||
Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Act II: Piangi? Perchè?; Un bel dì | Giacomo Puccini, Leontyne Price, Sir Edward Downes | E Major | 1 | 12B | 0 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Prayer | Vangelis, Montserrat Caballé, Montserrat Martí | D Major | 2 | 10B | 93 BPM | ||
Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM |
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