"5 Kurpian Songs, Op.75 (1999): Wcoraj, dziwcyno, nie dzisiaj" by Henryk Górecki, Paul Hillier, Estonian Philharmonic Chamber Choir was released on November 7, 2005. With this song being about 5 minutes long, at 4:50, "5 Kurpian Songs, Op.75 (1999): Wcoraj, dziwcyno, nie dzisiaj" by Henryk Górecki, Paul Hillier, Estonian Philharmonic Chamber Choir is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 15 in Baltic Voices 3 by Paul Hillier, Estonian Philharmonic Chamber Choir. Based on our statistics, 5 Kurpian Songs, Op.75 (1999): Wcoraj, dziwcyno, nie dzisiaj's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Kurpian Songs, Op.75 (1999): Wcoraj, dziwcyno, nie dzisiaj by Henryk Górecki, Paul Hillier, Estonian Philharmonic Chamber Choir is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
The Bells of Dawn (Zoryu b’yut) | Georgy Sviridov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | F♯ Minor | 1 | 11A | 61 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM | ||
Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Fall of the Leaf: I. Theme. Andante | Imogen Holst, Thomas Hewitt Jones | A Major | 0 | 11B | 57 BPM |
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