- BPM
- 83
- Key
- A Minor
- Camelot
- 8A
La Traviata: Attendo, attendo...Addio del passato (Act 3) - Myung-Whun Chung, Kiri Te Kanawa Information
- Acousticness
- 97%
- Danceability
- 23%
- Energy
- 7%
- Instrumentalness
- 1%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -20.566 dB
Summary
"La Traviata: Attendo, attendo...Addio del passato (Act 3)" by Myung-Whun Chung, Kiri Te Kanawa was released on 2003. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 37 in Classical Heartbreakers by Various Artists. La Traviata: Attendo, attendo...Addio del passato (Act 3) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Traviata: Attendo, attendo...Addio del passato (Act 3) BPM
The tempo marking of La Traviata: Attendo, attendo...Addio del passato (Act 3) by Myung-Whun Chung, Kiri Te Kanawa is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
La Traviata: Attendo, attendo...Addio del passato (Act 3) Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | |
 | Waltz | Aram Khachaturian, James Galway, Myung-Whun Chung | D Major | 2 | 10B | 124 BPM | |
 | Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | |
 | Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | |
 | Praeludium and Allegro | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9664011001586914
End: 0.970538854598999