Lucia di Lammermoor: Act II: Piange la madre estinta - Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin Information

Acousticness: 96%
Danceability: 33%
Energy: 8%
Instrumentalness: 2%
Liveness: 14%
Loudness: 71%
Speechiness: 5%
Valence: 14%
Popularity: 0%
Loudness: -17.114 dB

Summary

"Lucia di Lammermoor: Act II: Piange la madre estinta" by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin was released on December 1, 2012. The duration of Lucia di Lammermoor: Act II: Piange la madre estinta is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Lucia di Lammermoor: Act II: Piange la madre estinta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gaetano Donizetti, Tullio Serafin's "Gaetano Donizetti, Vol. 2 (1953)" album is number 11 out of 15. On top of that, Germany appears to be the country where this track was created. Lucia di Lammermoor: Act II: Piange la madre estinta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lucia di Lammermoor: Act II: Piange la madre estinta BPM

We consider the tempo marking of Lucia di Lammermoor: Act II: Piange la madre estinta by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Lucia di Lammermoor: Act II: Piange la madre estinta Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tosca / Act II: "Vissi d'arte, vissi d'amore"	Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	0	5B	92 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)	George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson	E Major	0	12B	72 BPM
La Traviata - Act. Iii - Addio Del Passato	Renata Scotto	A Minor	1	8A	72 BPM
Dalinda, Act II Scene 7: Infelice! Il veleno bevesti - Live	Gaetano Donizetti, Orchester der Berliner Operngruppe, Felix Krieger, Lidia Fridman, Luciano Ganci	F Major	3	7B	140 BPM
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?"	Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson	C Major	1	8B	77 BPM
Così fan tutte, K. 588 / Act 1: "Un'aura amorosa"	Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker	E Major	2	12B	124 BPM
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé"	Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume	G Minor	1	6A	79 BPM
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga)	Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel	F Major	2	7B	111 BPM
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José)	Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra	D Major	1	10B	83 BPM
Tosca	Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli	D Major	2	10B	112 BPM

ISRC: DEU240454373
Label: L-M Records/RCA Records

Section: 0.695293664932251

End: 0.6983168125152588